Red Tree by Sansu
1) Tell us about your background and how you came to illustrate for children.
Miyazaki Hayao's "My neighbor Totoro" was my big influence when I was young. I told my self that I want to make something like that. I wanted to study film making. However, I thought film making is for special people like movie stars and hollywood film directors. My dream seems too big at that time. So I went to an art school and studied printmaking which I love as well.
I came to USA to pursue my dream and studied animation at the School of the Art Institute of Chicago. I have been working at Pixar Animation Studios after study. First few years I was busy working on movies, like Finding Nemo and Monsters Inc. Soon I realized that I want to create something my own even if it is very personal. I create my own stories and draw after work. Illustrating for children gives me freedom to explore my dreams and imaginations.
Strawberry Field by Sansu
2) Your style is so fresh and fun. What are your influences?
My influences change day to day. Sometimes it's music, film, or even my depression inspires me. When I create something, I feel alive and happy.
Recently, my 13month old baby has been my big influence on my art. I see the world through his sparkling tiny eyes and now the world is not the same as before. The taste of orange and the moon in the dark and the sound of vacuum cleaners are fascinating to me these days.
My favorite picture book artist is Anne Herbauts. Every time I read her books, I don't want to turn pages because each page is so lyrical and I want to make sure I spend enough time to enjoy her words and images. Her imagination is magical and the world is original. I read her books in Korean because Herbaut's books are not popular and hard to get in United States.
"De quelle couleur est le vent?" by
Anne Herbauts
German Expressionism film "The Cabinet of Dr. Caligari" influenced my graduate thesis animation, "Grandma" which is my grandmother's surviving story during World War II. Grandma played in Sundance film Festival and Annecy Animation Festival in France.
3) You work as a lighting artist at Pixar. Tell us about what you do there. Does it influence your illustration work?
I work as a lighting artist. I lit animated characters and sets in 3D computer world. We have many visiting artists at work like Miyazaki Hayao who is my child hood hero. We just had Mo willems and he was really fun and creative. I am more in love with their work after I met them. While I am influenced by many creative talented people at work , I try not to get influenced by too much from Pixar style since I am trying to find my own vision and true voice.
4) Do you have any books published? Or what projects are you working on now?
I have a self published book called " Part of My Heart". Author Mike Sundy and I met in Lissa Rovetch's class and we created the free ebook. The ebook is downloaded 22000 copies and we have about 800 5 star reviews in itune. Now paperback is selling on Amazon. I didn't know about self publishing until now and I realize that it has lots of possibilities. If you are waiting to be picked up by a publisher, self publishing could be another good option. Your book will never be run out of printing as long as you want, and will be read by people in the world wide.
Now I am working on several stories. Here are few images of them.
Red Tree by Sansu
Snow by Sansu
Skunky and Her Friends by Sansu
Three Hills by Sansu
Brown Bag by Sansu
I draw most of drawings with Graphic App on my ipad these days. I wish I had more time to paint and draw on papers. It gets easily interrupted with my baby. I would love to get any tips to work on art with a toddler.
Here is my working progress for my next project , "Monster called Fever". I am trying to use layers as color plates. It is a similar process of printmaking. I use blue as background, dark grey for shadow, orange and white color for highlights. At the end, I added little texture to the image to make it feel like hand printed.
Here is another working process of my water color painting. I usually starts from idea and sketch and paint. I carry a small sketch book and an ipad in my bag, so I can paint whenever I have a moment.
6) You have studied art in both Korea and the United States. Are there differences in the way art is taught in each country?
There is an old Korean saying "Don't step on teacher's shadow." which means respect teacher even if it is just teacher's shadow. I respect the culture, however, it could go wrong easily. Teacher's authority was very powerful in Korea. Some students followed teacher's advice too much and they ended up imitating their teacher's work. It was like that many years ago I hope it is different now.
I learned that finding individual artist's voice is important when I studied at the school of Art Institute of Chicago, we didn't have grading system. It was either pass or fail. I believe that it is hard to judge art. Many great artists were judged mistakenly and treated wrong until next generation recognized their works in art history. At the school, our teachers were not allowed to come to final critique. We invited local artists or other department teachers to critique with their fresh eyes. I thought it was very cool.
7) What advice would you give to other illustrators?
Draw everyday.
Everyday matters. I tried to do little quick 5 minute sketch everyday when I don't have time and pat my shoulder.
Draw for fun.
Try not to draw to win competition, to get in festival, or please your teacher. Don't follow money or fame. Let them follow you or don't even care about them. Be yourself and find your true voice and enjoy while you are doing it.
8) What is something most people don't know about you?
I love music but I am bad with rhythm and I have stage fright. My fingers shake and I can't breathe well when I am on stage. I would like to overcome this someday.
9) Where can we find you online?
www.hellosansu.com
www.facebook.com/hellosansu
www.instagram.com/hellosansu
www.twitter.com/hellosansu
hellosansu@gmail.com
Sungyeon
Joh is a children’s book writer, illustrator and animator living in the
San Francisco Bay Area. She is also known as Sansu (which means
“mountain water” in Korean).
Sansu studied printmaking at Hongik University in Korea and animation at the Art Institute of Chicago. Currently, she is working as a lighting artist at Pixar Animation Studios.
Susu's stories express her love for life and they also explore the mystery and magic of nature.
She also enjoys playing guitar and walking with her husband and son on Sunday morning.
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